Tuesday, August 2, 2011

Torah Cantillation - הטעמים לקריאת התורה

For my students, following is a list, line by line for Torah cantillation, as found in Appendix H of "The Art of Torah Cantillation", sung in in the same key as the musical notation. For my Israeli students, if there is an Israeli "variation", it is notated below.

In addition, I've separated families of te'amim with a blank line, and placed a comma after te'amim mafsekim, to remind you where the breaks are.

Enjoy and b'hatzlacha!


8a (Israeli) Tipcha, sof-pasuk.


15a (Israeli) Kadma v'azla.
16. Geresh.

19. R'vi'i.

20. Gershayim.

21. Darga (remember - this is a ta'am m'chaber - no breathing after it!)
22. T'vir.
27. Munach darga t'vir.
*** Remember, one should practice combining 22-27 with a tipcha clause (2,4,6,8) with the pause being after the tipcha, and not after the t'vir.

29. Munach t'lisha-k'tana (remember - this is a ta'am m'chaber - no breathing after it!)





39. Mercha k'fula (remember this appears only before tipcha, sof-pasuk, so it should always be practiced together with examples 6 & 8, with the breath after tipcha).

Since this appears only once in the Torah (Numbers 35:5), click here to hear it in context, preceded by the r'vi'i clause and followed by t'lisha-k'tana.

41. End of aliyah cadences:

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